Sunday AM Writethru: After Saturday publish, refresh for evaluation and up to date chart figures Any doubts concerning the well being of the general home field workplace proceed to wane. Disney/Marvel’s Shang-Chi and the Legend of Ten Rings reigns atop in its third weekend with $21.7M, the second-best third weekend end result for a September launch after Warner Bros.’ It ($29.75M).
That’s an excellent -39% maintain after a Friday of $5.8M, -40%, and the Destin Daniel Cretton-directed function seems to be to face by EOD Sunday at $176.9M.
There’s actually not lots to brag about with reference to the remainder of newcomers on the chart, largely geared toward skittish older adults through the pandemic. That stated, none of them are actually lighting rods with reference to producing chatter on social media, nevertheless, Searchlight’s The Eyes of Tammy Faye did have a pulse. Tammy Faye and Open Street’s Copshop have theatrical home windows, however Warner Bros’ Cry Macho doesn’t given its day and date availability on HBO Max.
Associated Story
‘Eyes Of Tammy Faye,’ ‘Blue Bayou’ Search Arthouse Momentum; Delta “Calmed Down” In Some Markets – Specialty Preview
Clint Eastwood’s western Cry Macho just isn’t his greatest, with 53% on Rotten Tomatoes, and due to this fact not his greatest on the field workplace, with an estimated $1.6M on Friday and $4.5M three-day at 3,967 theaters in third, and that’s with a theatrical day-and-date and HBO Max launch.
Cry Macho will slot third, after twentieth Studio/Disney’s Free Man with $5.2M in 2nd place throughout its weekend 6, -10%. What would the movie’s grosses appear to be with out HBO Max taking eyeballs away? That’s the long-beaten million greenback query of 2021. Nevertheless, we will’t proclaim that older demos are again in full in theaters through the pandemic, to not point out given the viewers reactions right here of a B CinemaScore and 73% optimistic on Display screen Engine/PostTrak.
We are able to’t anticipate the most recent from the 91-year outdated filmmaker and actor to make that rather more, even with a theatrical window. Eastwood, I hear, pulled this film off a 12 months in the past with nice deftness. Eastwood’s earlier pre-pandemic launch, The Mule, through which he additionally starred, earned a 71% on Rotten Tomatoes, an A- CinemaScore, and opened to $17.5M in the course of December 2018, and legged out to $103.8M home. With Cry Macho, Eastwood counts his fiftieth 12 months directing and his twenty fifth image he each directed and starred in, the primary being Play Misty for Me, launched in 1971. Total, his 60-year canon has grossed $4.3 billion, $3.8B of that being Warner Bros. releases.
Of Cry Macho‘s turnout, 79% have been over 35, 62% over 45 and 36% over 55. The pic leaned a bit feminine at 51% with a range demos of 66% Caucasian, 14% Latino, 8% Black and 12% Asian/different.
Of Cry Macho‘s high 20 grossing theatres within the U.S., seven areas have been in Phoenix, six have been in Texas with a mix of different West/Midwest theatres. Los Angeles held the highest general marketshare with ~6%, adopted by Phoenix with ~4% share. Different high markets embrace Dallas, Salt Lake Metropolis, Houston, New York, and San Francisco.
Open Street’s Gerard Butler function Cop Store at 3,005 theaters pulled in $950K. The pic is posting $2.31M over three days. The pic has a glowing 80% from critics on RT, however didn’t impress audiences, with 62% optimistic and a 39% advocate on PostTrak. How a lot in P&A was spent right here? As a result of this Open Street launch is slightly below its pandemic launch openings, Liam Neeson’s Sincere Thief and The Marksman, which respectively debuted to $4.1M and $3.1M. Per theater grosses weren’t that sturdy, even with eight of the highest ten runs coming from the West Coast. These 54% over 35 confirmed up, in addition to 34% over 45 with 60% guys main and a range breakdown of 57% Caucasian, 18% Latino, 15% Black, and 10% Asian/different.
Searchlight’s The Eyes of Tammy Faye, sizzling off an excellent reception at its TIFF premiere, however an excellent less-so end result from critics, who’ve grilled it at 67% contemporary, did $250K on Friday and an anticipated $675K over three days at 450 theaters for a $1,5K theater common, which doesn’t scream that older arthouse crowds are again.
The movie earned a B+ CinemaScore, and was extra dominant within the large cities and the coasts with reference to grosses, with two theaters in Austin, TX making their manner into the highest ten run alongside NY and LA theater. Some first rate numbers within the NY and LA run, I hear, however the remainder of the grosses weren’t good. Upsetting, as Jessica Chastain shines right here on this Michael Showalter-directed satirical biopic (and Andrew Garfield, too). Some have critiqued to me concerning the advertising and marketing: Did anybody know that this film was opening? Certainly, a dilemma for all arthouse distributors as we enter This fall and awards season: How a lot are we gonna spend?
That stated, RelishMix seen previous to opening that out of the three vast entries, Tammy Faye had some motion, and that’s as a result of you need to give it as much as Chastain who has been a relentless promoter for the film. Not simply now as a result of she’s starring in it, but in addition in its ramping up as she produced the film. Chastain counts 6.2M on her social media channels, and has been giving followers a preview of the pic, from BTS to its splash at TIFF. Total, a social media universe throughout Twitter, Fb, Instagram, YouTube views of 62M+ per RelishMix which is “regular for indy drama” with “content material cadence quickening” earlier than the pic’s opening. Chastain’s Instagram publish for the NYC premiere, garnering slightly below 300K views:
Common had its restricted launch of Blue Bayou in 477 theaters, incomes $120K on Friday, $315K for the weekend, for a theater common of $661. The film is 72% contemporary on RT. Directed by Justin Chon, the pic follows a Korean-American man raised within the Louisiana bayou who works onerous to make a life for his household. He should confront the ghosts of his previous as he discovers that he may very well be deported from the one nation he has ever referred to as house. Chon stars with Alicia Vikander.
Chart is updating…
1.) Shang-Chi (Dis) 4,070 (-230) theaters Fri $5.8M (-40%)/3-day $21.7M (-39%), Whole: $176.9M/Wk 3
2.) Free Man (twentieth) 3,288 theaters (-377)/Fri $1.33M (-10%)/3-day $5.2M (-10%)/Whole $108.6M/Wk 6
3.) Cry Macho (WB) 3,967 theaters/Fri $1.6M/3-day $4.5M/Wk 1
4.) Candyman (Uni) 2,820 (-459) theaters/Fri $1.03M (-26%)/Sat $1.59M/Solar $880K/3-day $3.5M (-26%)/Whole $53.1M/Wk 4
5.) Malignant (NL) 3,485 theaters Fri $825K (-59%)/3-day $2.68M (-51%)/Whole: $9.8M/Wk 2
6.) Copshop (Open Street) 3,005 theaters/Fri $950K/Sat $850K/Solar $510K/3-day $2.31M/Wk 1
7.) Jungle Cruise (Dis) 2,265 theaters (-500)/Fri $487K (-13%)/3-day $2.06M (-11%)/Whole $112.6M/Wk 8
8.) Paw Patrol (Par) 2,269 (-551) theaters/Fri $375K (-23%)/Sat $810K/Solar $565K/3-day $1.75M (-24%)/Whole $37.1M/Wk 5
9) The Eyes of Tammy Faye (Sea) 450 theaters/Fri $250K/3-day $675K/Wk 1
10.) Don’t Breathe 2 (Sony) 1,003 (-705) theaters, Fri $185K (-44%)/Sat $310K/Solar $170K/3-day $665K (-42%)/Whole:$31.3M/ Wk 6
11.) Cardcounter (Foc) 584 (+4) theaters Fri $140k/Sat $180K/Solar $120K/3-day $440K (-58%)/Whole $1.9M/Wk 4
Source link
